Ideas for Major Final Outcome

The portrait of Marie Antoinette will be formed on an A1 canvas with the use of acrylic paint. It will be a typically classic portrait as I am trying to convey an essence of Monarch authority, power and absolutism. Therefore, I will employ a pallet of royal colours which will exude Marie Antoinette's wealth and status. Her facial expression will be content as this will emphasise the message of ignorance that I will portray with the contrast of her dress.

Leading on from this idea, my portrait isn't going to be a typical portrait of just another Queen. I am going to use that style of portraiture as a way of illuminating the corrupt and false life that Marie Antoinette led. As referenced earlier, I will use material to make the dress come out of the painting, making it a mixed media piece. On this material will be my prints of various illustrations showing the reality of Marie Antoinette's situation. There might be a print of revolutionaries executing Louis XVI in 1793 and a print of the famous poissardes revolt at Versailles. This will convey the message that, in the eyes of Marie Antoinette her life was secure and her position as Queen untarnished  However, in the shadows of her huge dress (again satirising the classic interpretation of Antoinette) the reality of her downfall and decline will be realised.

Experimentation for my short story

I have decided that my black ink illustrations can seem rather too sharp on the striking background of white card. For this reason, I have decided to look at artists who have drawn on different colours of card and tried this for myself; so as to, decide which background might compliment my illustrations and the elegance I am trying to portray.

• Martin Wilner - JEW

Wilner uses brown paper which he draws onto with ink.

• Jean Antoine Watteau

Watteau employs his tres crayons technique to a slightly tinted background which creates a warmer effect.

My Short Story

To accompany my major final outcome, which will be a portrait of Marie Antoinette, I will be making a short story to tell the tale of Marie Antoinette. As inspiration, I have used David Hockney's interpretation of The Rake's Progress to plan my own story. Hockney produced various stage designs inclusive with characters and props and I have imitated this with three of my potential compositions. At first I was going to simply sketch my own scenes but I thought that I could make it more effective by imitating Hockney's 3D sets. So, I have chosen to use shoe boxes and filled them with the major aspects of each scene.

Here are some images of Hockney's work:

Development of satirical drawing of Marie Antoinette

Marie Antoinette's hair was such a focal point for various propaganda during her unpopularity in France and up to this very day it is commonly thought to be the most profound symbol when one mentions "Marie Antoinette". Therefore, I have used this symbol to further satirise Marie Antoinette whilst employing a factual twist. I will do this by incorporating a time line into the excessive hair. As I see it, there are three stages of Marie Antoinette's life to present:

1. Her Austrian Origins.
2. Her life as an extravagant, indulgent Queen.
3. Her imprisonment and execution at the hands of the Revolutionaries.

Marie Antoinette Propoganda

As Marie Antoinette's reputation diminished in France, an increasing amount of propoganda was used against her (some seen below). I want to take this idea and apply it to my own work about Marie Antoinette's downfall.

  

Marie Antoinette was renouned for her outragious hair and dresses and this has inspired me to over-exaggerate these features in order to satire my work.

However, I want to take this a stage further and use these features to portray Marie Antoinette's ignorance to conflict occuring in France. For example, for my final piece, If I were to draw a portrait of Marie Antoinette, I thought about using the folds in Antoinette's over blown dresses to hide little scenes, perhaps the storming of the Bastile or the imprisonment of her son Louis-Charles. These little scenes which will be in the shadows of the painting will emphasise Antoinette's inability to see what is happening around her, both physically and metaphorically.

In addition, I have been looking at an artist (currently unknown) who employs the use of material into her paintings. The material almost flows out of the painting and this is really interesting. 

 

I thought I could apply this kind of technique into my final piece and maybe tweak it slightly. Instead of having material flow out from the painting, i could use a material like mod roc to create a 3D 'dress' and underneath the ripples of the 'dress' could be the little scenes that are central to the idea of Marie Antoinette's ignorance. After speaking to my teacher, we thought aboout the idea of drawing my illustrations onto very light fabric, sewing them together and attaching them as the material of Marie Antoinette's dress. I could also screen print the same illustration onto the dress, which could be made of paper.

Louis-Charles XVII

The Dauphin, Louis-Charles, and heir to the throne was imprisoned in the Temple fortress during the revolution. He was seen as a potential threat to the republic and so revolutionaries put him under constant surveillance in a dark cell. They abused him and left him in isolation. His cell was not cleaned and there was no toilet facility for him to use. Therefore, his cell became infested with vermin and his physical and mental health diminished, until he died. It is quite hard to believe that the son of a King was actually treated in this manner. The fact that the political scene in France was constantly changing and there was fear that the monarchy could be restored at any moment frightened revolutionaries like Robespierres, to the extent that they locked up the prince in this inhumane manner. I think this is a really interesting aspect to the revolution and i'd like to comment on the story of this unfortunate prince somewhere in my work.

I have looked at Egon Schiele's work to inspire my drawings of Louis-Charles.

   

I really like the way Schiele uses simple lines to create rather striking body shapes. As Louis-Charles was left in isolation, his limbs became awkwardly elongated and his body unnaturally formed. Schiele's work portrays this whilst giving the sense of discomfort I want to achieve.

Jean-Honoré Fragonard

I have recently been inspired by the 18th century French artist Fragonard, in particular his work entitled The Swing:



This painting depicts the frivolities of life led by the aristocracy. The lady enjoys a care free swing whilst the men in the shadows are waiting to assist her. This compares brilliantly to the life Marie Antoinette led in Versailles. She was extravagent and completely ignorant of the problems this was causing for the lower classes in France.

Also, the hat worn by the lady in this painting is a Bergère hat (a sheperdess hat). This is ironic because a sheperdess is usually associated with the idea of leading a humble life, being so close to nature. In the same way, Marie Antoinette sometimes dressed as a peasant woman whilst relaxing in the Le Petit Trianon and fed her animals, playing the commoner, but through ostentatious means, for example using an expensive china pouring jug. This mockery of the lower classes is really interesting and I would like to take this further. I might draw Marie Antoinette surounded by her corrupt luxuries and find a way to comment on it.

Le Petit Trianon: